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- CHAPTER 56. Of the Less Erroneous Pictures of Whales, and the True
Pictures of Whaling Scenes.
In connexion with the monstrous pictures of whales, I am strongly
tempted here to enter upon those still more monstrous stories of them
which are to be found in certain books, both ancient and modern,
especially in Pliny, Purchas, Hackluyt, Harris, Cuvier, etc. But I pass
that matter by.
I know of only four published outlines of the great Sperm Whale;
Colnett’s, Huggins’s, Frederick Cuvier’s, and Beale’s. In the previous
chapter Colnett and Cuvier have been referred to. Huggins’s is far
better than theirs; but, by great odds, Beale’s is the best. All
Beale’s drawings of this whale are good, excepting the middle figure in
the picture of three whales in various attitudes, capping his second
chapter. His frontispiece, boats attacking Sperm Whales, though no
doubt calculated to excite the civil scepticism of some parlor men, is
admirably correct and life-like in its general effect. Some of the
Sperm Whale drawings in J. Ross Browne are pretty correct in contour;
but they are wretchedly engraved. That is not his fault though.
Of the Right Whale, the best outline pictures are in Scoresby; but they
are drawn on too small a scale to convey a desirable impression. He has
but one picture of whaling scenes, and this is a sad deficiency,
because it is by such pictures only, when at all well done, that you
can derive anything like a truthful idea of the living whale as seen by
his living hunters.
But, taken for all in all, by far the finest, though in some details
not the most correct, presentations of whales and whaling scenes to be
anywhere found, are two large French engravings, well executed, and
taken from paintings by one Garnery. Respectively, they represent
attacks on the Sperm and Right Whale. In the first engraving a noble
Sperm Whale is depicted in full majesty of might, just risen beneath
the boat from the profundities of the ocean, and bearing high in the
air upon his back the terrific wreck of the stoven planks. The prow of
the boat is partially unbroken, and is drawn just balancing upon the
monster’s spine; and standing in that prow, for that one single
incomputable flash of time, you behold an oarsman, half shrouded by the
incensed boiling spout of the whale, and in the act of leaping, as if
from a precipice. The action of the whole thing is wonderfully good and
true. The half-emptied line-tub floats on the whitened sea; the wooden
poles of the spilled harpoons obliquely bob in it; the heads of the
swimming crew are scattered about the whale in contrasting expressions
of affright; while in the black stormy distance the ship is bearing
down upon the scene. Serious fault might be found with the anatomical
details of this whale, but let that pass; since, for the life of me, I
could not draw so good a one.
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