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it had six engravings of Bible scenes, which I never wearied looking at, and the study of which did more for me, I verily believe, than any sermons heard by me at that time.
The first of these pictures was a wood-cut from Sir Joshua Reynolds’s painting of “Little Samuel,” representing a little boy in his night-dress, apparently just risen from his first sleep, and kneeling on the floor with hands uplifted and an eager look upon his countenance, while beneath were the words, “Speak, for Thy servant heareth.” There was for me a fascination in this simple picture which held me like a spell, and I have never seen it since without emotion. It brings before me the whole story of Samuel, and as I look at it now I am a child again, sitting by my mother’s side in the old pew.
One immediate result of all this was to make me very eager to read the history of Samuel, that I might know all about him; so I became familiar with the details of his story—how his birth was in
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