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palate a questionable smack as of a compounded wine. To any stray inheritor of these primitive qualities found, like Caspar Hauser, wandering dazed in any Christian capital of our time, the poet’s famous invocation, near two thousand years ago, of the good rustic out of his latitude in the Rome of the Cæsars, still appropriately holds:-- ‘Faithful in word and thought, What hast Thee, Fabian, to the city brought.’ Though our Handsome Sailor had as much of masculine beauty as one can expect anywhere to see; nevertheless, like the beautiful woman in one of Hawthorne’s minor tales, there was just one thing amiss in him. No visible blemish, indeed, as with the lady; no, but an occasional liability to a vocal defect. Though in the hour of elemental uproar or peril, he was everything that a sailor should be, yet under sudden provocation of strong heart-feeling his voice, otherwise singularly musical, as if expressive of the harmony within, was apt to develop an organic hesitancy,--in fact, more or less of a stutter or even worse. In this particular Billy was a striking instance that the arch-interpreter, the envious marplot of Eden still has more or less to do with every human consignment to this planet of earth. In every case, one way or another, he is sure to slip in his little card, as much as to remind us--I too have a hand here. The avowal of such an imperfection in the Handsome Sailor should be evidence not alone that he is not presented as a conventional hero, but also that the story in which he is the main figure is no romance. ------------------------------------------------------------------------ III At the time of Billy Budd’s arbitrary enlistment into the _Indomitable_ that ship was on her way to join the Mediterranean fleet. No long time elapsed before the junction was effected. As one of that fleet the seventy-four participated in its movements, though at times on account of her superior sailing qualities, in the absence of frigates, dispatched on separate duty as a scout, and at times on less temporary service. But with all this the story has little concernment, restricted as it is to the inner life of one particular ship and the career of an individual sailor. It was the summer of 1797. In the April of that year had occurred the commotion at Spithead, followed in May by a second and yet more serious outbreak in the fleet at the Nore. The latter is known, and without exaggeration in the epithet, as the Great Mutiny. It was indeed a demonstration more menacing to England than the contemporary manifestos and conquering and proselytising armies of the French Directory. To the Empire, the Nore Mutiny was what a strike in the fire-brigade would be to London threatened by general arson. In a crisis when the Kingdom might well have anticipated the famous signal that some years later published along the naval line of battle what it was that upon occasion England expected of Englishmen; _that_ was the time when at the mast-heads of the three-deckers and seventy-fours moored in her own roadstead--a fleet, the right arm of a Power then all but the sole free conservative one of the Old World, the blue-jackets, to be numbered by thousands, ran up with hurrahs the British colours with the union and cross wiped out; by that cancellation transmuting the flag of founded law and freedom defined, into the enemy’s red meteor of unbridled and unbounded revolt. Reasonable discontent growing out of practical grievances in the fleet had been ignited into irrational combustion as by live cinders blown across the Channel from France in flames.
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