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THE PASSIONATE PILGRIM
that of 1609, and his version is on the whole the better of the two:—
line 8—
[1599] Wooing his purity with her faire pride.
[1609] Wooing his purity with her fowle pride.
line 11—
[1599] For being both to me: both to each friend,
[1609] But being both from me both to each friend,
line 13—
[1599] The truth I shall not know, but liue in doubt.
[1609] Yet this shal I nere know but liue in doubt,
Finally, Jaggard’s text knows nothing of the 1609 misprint of ‘sight’ for ‘side’ in the important line 6:—
Tempteth my better angel from my side.
Nos. III, V, and XVI—excerpts from Shakespeare’s *Love’s Labour’s Lost*.
The three remaining poems which can be confidently assigned to Shakespeare are all to be found in his play of *Love’s Labour’s Lost*, which was published in 1598. Other plays of his had been published earlier, but this piece was the first to bear on the title-page Shakespeare’s name as author (*By W. Shakespere*). The variations from the text of the play are in all three pieces unimportant and touch single words or inflexions. But such as they are, they suggest that Jaggard again printed stray copies which were circulating ‘privately’, and did not find the lines in the printed quarto of the play. The distribution of the three excerpts through the miscellany suggests that Jaggard did not know that they all came from the same source. The first excerpt from *Love’s Labour’s Lost*—No. III—immediately follows Shakespeare’s two sonnets. It is Longaville’s sonnet to Maria, from Act iv, Sc. 3, ll. 58–71. The variations are as follow:—
No. III.
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