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- SONNETS OF SHAKESPEARE 43
CXXVII. 9. Therefore my *Misterose eyes* are Rauen blacke: Misprints. (for *Mistress’s brows*).
CXXIX. 9. Made *In* pursuit and in possession so: (for *mad in pursuit*).
10-11. Had, hauing, and in quest, to haue extreme A blisse in proofe and proud and very wo: (for *prov’d a*).
CXXXII. 2. Knowing thy heart torment me with disdaine: (for *torments*).
9. As those two morning eyes become thy face: (for *mourning*).
CXL. 13. That I may not be so, nor thou be lyde: (for *belied*).
CXLIV. 2. Which like two spirits do sugiest me still: (for *suggest*).
6. Tempteth my better angel from my sight: (for *side*).
CLII. 13. For I haue sworne thee faire: more periurde eye: (for *I*).
CLIII. 14. Where Cupid got new fire; my mistres eye: (for *eyes* rhyming with *lies*).
The discrepancies in spelling may not exceed ordinary Confusion limits, but they confirm the impression that the compositors in spelling followed an unintelligent transcript. ‘Scythe’ appears as ‘sieth’ (XII. 13 and C. 14), and as ‘syeth’ (CXXIII. 14); ‘Minutes’ appears as ‘mynuits’ (XIV. 5 and LXXVII. 2), as ‘mynuit’ (CXXVI. 8), and as ‘minuites’ (LX. 2); ‘False’ appears as ‘false’ (XX. 4, 5), as ‘faulse’ (LXVIII. 14), and as ‘falce’ (LXXII. 9, XCII. 14, XCIII. 7). More than forty other orthographical peculiarities of like significance, few of which are distinguishable from misprints, are:—‘accumulate’ for ‘accumulate’ (CXVII. 10); ‘a floate’ for ‘afloate’ for ‘a floate’.
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