- end_line
- 604
- extracted_at
- 2026-01-30T07:57:55.409Z
- extracted_by
- structure-extraction-lambda
- start_line
- 542
- text
- sound of thunder and the fall of trees—never reading, seldom speaking,
yet ever wakeful, this is what gives me my strange thoughts—for so you
call them—this weariness and wakefulness together Brother, who stands
and works in open air, would I could rest like him; but mine is mostly
but dull woman’s work—sitting, sitting, restless sitting.”
“But, do you not go walk at times? These woods are wide.”
“And lonesome; lonesome, because so wide. Sometimes, ’tis true, of
afternoons, I go a little way; but soon come back again. Better feel
lone by hearth, than rock. The shadows hereabouts I know—those in the
woods are strangers.”
“But the night?”
“Just like the day. Thinking, thinking—a wheel I cannot stop; pure want
of sleep it is that turns it.”
“I have heard that, for this wakeful weariness, to say one’s prayers,
and then lay one’s head upon a fresh hop pillow—”
“Look!”
Through the fairy window, she pointed down the steep to a small garden
patch near by—mere pot of rifled loam, half rounded in by sheltering
rocks—where, side by side, some feet apart, nipped and puny, two
hop-vines climbed two poles, and, gaining their tip-ends, would have
then joined over in an upward clasp, but the baffled shoots, groping
awhile in empty air, trailed back whence they sprung.
“You have tried the pillow, then?”
“Yes.”
“And prayer?”
“Prayer and pillow.”
“Is there no other cure, or charm?”
“Oh, if I could but once get to yonder house, and but look upon whoever
the happy being is that lives there! A foolish thought: why do I think
it? Is it that I live so lonesome, and know nothing?”
“I, too, know nothing; and, therefore, cannot answer; but, for your
sake, Marianna, well could wish that I were that happy one of the happy
house you dream you see; for then you would behold him now, and, as you
say, this weariness might leave you.”
—Enough. Launching my yawl no more for fairy-land, I stick to the
piazza. It is my box-royal; and this amphitheatre, my theatre of San
Carlo. Yes, the scenery is magical—the illusion so complete. And Madam
Meadow Lark, my prima donna, plays her grand engagement here; and,
drinking in her sunrise note, which, Memnon-like, seems struck from the
golden window, how far from me the weary face behind it.
But, every night, when the curtain falls, truth comes in with darkness.
No light shows from the mountain. To and fro I walk the piazza deck,
haunted by Marianna’s face, and many as real a story.
- title
- Chunk 10