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CHAPTER XXXII. SHOWING THAT THE AGE OF MAGIC AND MAGICIANS IS NOT YET OVER.

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# CHAPTER XXXII. SHOWING THAT THE AGE OF MAGIC AND MAGICIANS IS NOT YET OVER. ## Overview This entity is a chapter from the novel "THE CONFIDENCE-MAN: HIS MASQUERADE.". It is part of the "Melville Complete Works" collection and was extracted from the file "the_confidence_man.txt". The chapter is titled "CHAPTER XXXII. SHOWING THAT THE AGE OF MAGIC AND MAGICIANS IS NOT YET OVER." and spans from line 8002 to 8062 of the source text. ## Context This chapter is situated within Herman Melville's novel, "THE CONFIDENCE-MAN: HIS MASQUERADE.". It follows "CHAPTER XXXI. A METAMORPHOSIS MORE SURPRISING THAN ANY IN OVID." and precedes "CHAPTER XXXIII. WHICH MAY PASS FOR WHATEVER IT MAY PROVE TO BE WORTH.". The chapter was extracted as part of the "Melville Complete Works" collection. ## Contents Chapter XXXII depicts a scene where a character, referred to as the "cosmopolitan," uses what appears to be magic to transform his friend, Charlie, back into his original form. The cosmopolitan uses ten half-eagles as talismans and recites cabalistic words, successfully breaking a spell. Charlie, restored, plays along with the charade, attributing the event to a humorous prank. The chapter highlights themes of illusion, transformation, and the nature of reality within the narrative. The conversation then shifts to discussing a character named Charlemont, setting the stage for the subsequent chapter.
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2026-01-30T20:48:40.019Z
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gemini-2.5-flash-lite
description_title
CHAPTER XXXII. SHOWING THAT THE AGE OF MAGIC AND MAGICIANS IS NOT YET OVER.
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8062
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2026-01-30T20:47:36.061Z
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structure-extraction-lambda
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8002
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CHAPTER XXXII. SHOWING THAT THE AGE OF MAGIC AND MAGICIANS IS NOT YET OVER. While speaking or rather hissing those words, the boon companion underwent much such a change as one reads of in fairy-books. Out of old materials sprang a new creature. Cadmus glided into the snake. The cosmopolitan rose, the traces of previous feeling vanished; looked steadfastly at his transformed friend a moment, then, taking ten half-eagles from his pocket, stooped down, and laid them, one by one, in a circle round him; and, retiring a pace, waved his long tasseled pipe with the air of a necromancer, an air heightened by his costume, accompanying each wave with a solemn murmur of cabalistical words. Meantime, he within the magic-ring stood suddenly rapt, exhibiting every symptom of a successful charm--a turned cheek, a fixed attitude, a frozen eye; spellbound, not more by the waving wand than by the ten invincible talismans on the floor. "Reappear, reappear, reappear, oh, my former friend! Replace this hideous apparition with thy blest shape, and be the token of thy return the words, 'My dear Frank.'" "My dear Frank," now cried the restored friend, cordially stepping out of the ring, with regained self-possession regaining lost identity, "My dear Frank, what a funny man you are; full of fun as an egg of meat. How could you tell me that absurd story of your being in need? But I relish a good joke too well to spoil it by letting on. Of course, I humored the thing; and, on my side, put on all the cruel airs you would have me. Come, this little episode of fictitious estrangement will but enhance the delightful reality. Let us sit down again, and finish our bottle." "With all my heart," said the cosmopolitan, dropping the necromancer with the same facility with which he had assumed it. "Yes," he added, soberly picking up the gold pieces, and returning them with a chink to his pocket, "yes, I am something of a funny man now and then; while for you, Charlie," eying him in tenderness, "what you say about your humoring the thing is true enough; never did man second a joke better than you did just now. You played your part better than I did mine; you played it, Charlie, to the life." "You see, I once belonged to an amateur play company; that accounts for it. But come, fill up, and let's talk of something else." "Well," acquiesced the cosmopolitan, seating himself, and quietly brimming his glass, "what shall we talk about?" "Oh, anything you please," a sort of nervously accommodating. "Well, suppose we talk about Charlemont?" "Charlemont? What's Charlemont? Who's Charlemont?" "You shall hear, my dear Charlie," answered the cosmopolitan. "I will tell you the story of Charlemont, the gentleman-madman."
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CHAPTER XXXII. SHOWING THAT THE AGE OF MAGIC AND MAGICIANS IS NOT YET OVER.

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