chunk

Chunk 3

01KG8AKM4XENZMN8WXC3S46P0V

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end_line
5471
extracted_at
2026-01-30T20:48:05.591Z
extracted_by
structure-extraction-lambda
start_line
5412
text
Indians, are impossible. All is clear, open, fluent. The very element which sustains the combatants, yields at the stroke of a feather. One wind and one tide at one time operate upon all who here engage. This simplicity renders a battle between two men-of-war, with their huge white wings, more akin to the Miltonic contests of archangels than to _the comparatively squalid_ tussles of earth. As the ships neared, a hazy darkness overspread the water. The moon was not yet risen. Objects were perceived with difficulty. Borne by a soft moist breeze over gentle waves, they came within pistol- shot. Owing to the obscurity, and the known neighborhood of other vessels, the Serapis was uncertain who the Richard was. Through the dim mist each ship loomed forth to the other vast, but indistinct, as the ghost of Morven. Sounds of the trampling of resolute men echoed from either hull, whose tight decks dully resounded like drum-heads in a funeral march. The Serapis hailed. She was answered by a broadside. For half an hour the combatants deliberately manoeuvred, continually changing their position, but always within shot fire. The. Serapis—the better sailer of the two—kept critically circling the Richard, making lounging advances now and then, and as suddenly steering off; hate causing her to act not unlike a wheeling cock about a hen, when stirred by the contrary passion. Meantime, though within easy speaking distance, no further syllable was exchanged; but an incessant cannonade was kept up. At this point, a third party, the Scarborough, drew near, seemingly desirous of giving assistance to her consort. But thick smoke was now added to the night’s natural obscurity. The Scarborough imperfectly discerned two ships, and plainly saw the common fire they made; but which was which, she could not tell. Eager to befriend the Serapis, she durst not fire a gun, lest she might unwittingly act the part of a foe. As when a hawk and a crow are clawing and beaking high in the air, a second crow flying near, will seek to join the battle, but finding no fair chance to engage, at last flies away to the woods; just so did the Scarborough now. Prudence dictated the step; because several chance shot—from which of the combatants could not be known—had already struck the Scarborough. So, unwilling uselessly to expose herself, off went for the present this baffled and ineffectual friend. Not long after, an invisible hand came and set down a great yellow lamp in the east. The hand reached up unseen from below the horizon, and set the lamp down right on the rim of the horizon, as on a threshold; as much as to say, Gentlemen warriors, permit me a little to light up this rather gloomy looking subject. The lamp was the round harvest moon; the one solitary foot-light of the scene. But scarcely did the rays from the lamp pierce that languid haze. Objects before perceived with difficulty, now glimmered ambiguously. Bedded in strange vapors, the great foot-light cast a dubious, half demoniac glare across the waters, like the phantasmagoric stream sent athwart a London flagging in a night-rain from an apothecary’s blue and green window. Through this sardonical mist, the face of the Man-in-the-Moon—looking right towards the combatants, as if he were standing in a trap-door of the sea, leaning forward leisurely with his arms complacently folded over upon the edge of the horizon—this queer face wore a serious, apishly self-satisfied leer, as if the Man-in-the-Moon had somehow secretly put up the ships to their contest, and in the depths of his malignant old soul was not unpleased to see how well his charms worked. There stood the grinning Man-in-the-Moon, his head just dodging into view over the rim of the sea:—Mephistopheles prompter of the stage.
title
Chunk 3

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