subsection

The Fiddle Performance and Revelation

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description
# The Fiddle Performance and Revelation ## Overview - What this is (type, form, dates, scope) This is a subsection of text extracted from the file [billy_budd.txt](arke:01KG89J1FFTGRE9J93Z3K29NGY), part of the [Melville Complete Works](arke:01KG89HMDZKNY753EZE1CJ8HZW) collection. The text was extracted on January 30, 2026, by the structure-extraction-lambda. It is labeled "The Fiddle Performance and Revelation" and spans lines 7161-7220 of the source file. ## Context - Background and provenance from related entities This subsection is contained within the section labeled "THE FIDDLER" ([arke:01KG8AKG134XQNJQR2GMS7CJ2F]). It follows the subsection "Hautboy's Return and Invitation" ([arke:01KG8AKZPXT19V17JS6MRQ23R9]) and precedes "Next day I tore all my manuscripts, bought me a fiddle, and went to take regular lessons of Hautboy." ([arke:01KG8AKZPXF0P6ZK02F8C1SX3D]). The text is part of a larger work, "billy_budd.txt," which is included in the Melville Complete Works collection. ## Contents - What it contains, key subjects and details The subsection describes a scene where a character named Hautboy plays the fiddle. The narrator is captivated by Hautboy's musical performance, despite the simple tune. Standard, another character, remarks on Hautboy's skill and alludes to a past of fame and glory. The narrator then questions Standard about Hautboy's identity, leading to a discussion of Hautboy's past triumphs and current obscurity. The narrator reveals that he once applauded Hautboy's name in a theater. The section concludes with the narrator's resolve to learn from Hautboy.
description_generated_at
2026-01-30T20:49:34.741Z
description_model
gemini-2.5-flash-lite
description_title
The Fiddle Performance and Revelation
end_line
7220
extracted_at
2026-01-30T20:48:22.050Z
extracted_by
structure-extraction-lambda
start_line
7161
text
Pressed by Standard, Hautboy forthwith got out his dented old fiddle, and sitting down on a tall, rickety stool, played away right merrily at ‘Yankee Doodle’ and other off-handed, dashing, and disdainfully care-free airs. But common as were the tunes, I was transfixed by something miraculously superior in the style. Sitting there on the old stool, his rusty hat sideways cocked on his head, one foot dangling adrift, he plied the bow of an enchanter. All my moody discontent, every vestige of peevishness fled. My whole splenetic soul capitulated to the magical fiddle. ‘Something of an Orpheus, ah?’ said Standard, archly nudging me beneath the left rib. ‘And I, the charmed Bruin,’ murmured I. The fiddle ceased. Once more, with redoubled curiosity, I gazed upon the easy, indifferent Hautboy. But he entirely baffled inquisition. When, leaving him, Standard and I were in the street once more, I earnestly conjured him to tell me who, in sober truth, this marvellous Hautboy was. ‘Why, haven’t you seen him? And didn’t you yourself lay his whole anatomy open on the marble slab at Taylor’s. What more can you possibly learn? Doubtless your own masterly insight has already put you in possession of all.’ ‘You mock me, Standard. There is some mystery here. Tell me, I entreat you, who is Hautboy?’ ‘An extraordinary genius, Helmstone,’ said Standard, with sudden ardour, ‘who in boyhood drained the whole flagon of glory; whose going from city to city was a going from triumph to triumph. One who has been an object of wonder to the wisest, been caressed by the loveliest, received the open homage of thousands on thousands of the rabble. But to-day he walks Broadway and no man knows him. With you and me, the elbow of the hurrying clerk, and the pole of the remorseless omnibus, shove him. He who has a hundred times been crowned with laurels, now wears, as you see, a bunged beaver. Once fortune poured showers of gold into his lap, as showers of laurel leaves upon his brow. To-day, from house to house he hies, teaching fiddling for a living. Crammed once with fame, he is now hilarious without it. _With_ genius and _without_ fame, he is happier than a king. More a prodigy now than ever.’ ‘His true name?’ ‘Let me whisper it in your ear.’ ‘What! Oh, Standard, myself, as a child, have shouted myself hoarse applauding that very name in the theatre.’ ‘I have heard your poem was not very handsomely received,’ said Standard, now suddenly shifting the subject. ‘Not a word of that, for Heaven’s sake!’ cried I. ‘If Cicero, travelling in the East, found sympathetic solace for his grief in beholding the arid overthrow of a once gorgeous city, shall not my petty affair be as nothing, when I behold in Hautboy the vine and the rose climbing the shattered shafts of his tumbled temple of Fame?’
title
The Fiddle Performance and Revelation

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