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- 7458
- extracted_at
- 2026-01-30T20:48:25.203Z
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- structure-extraction-lambda
- start_line
- 7398
- text
- that I could comprehend from what he said was, that the leaping figures
before me were bereaved widows, whose partners had been slain in battle
many moons previously; and who, at every festival, gave public evidence
in this manner of their calamities. It was evident that Kory-Kory
considered this an all-sufficient reason for so indecorous a custom; but
I must say that it did not satisfy me as to its propriety.
Leaving these afflicted females, we passed on to the Hoolah Hoolah
ground. Within the spacious quadrangle, the whole population of the
valley seemed to be assembled, and the sight presented was truly
remarkable. Beneath the sheds of bamboo which opened towards the
interior of the square reclined the principal chiefs and warriors, while
a miscellaneous throng lay at their ease under the enormous trees which
spread a majestic canopy overhead. Upon the terraces of the gigantic
altars, at each end, were deposited green bread-fruit in baskets of
cocoanut leaves, large rolls of tappa, bunches of ripe bananas, clusters
of mammee-apples, the golden-hued fruit of the artu-tree, and baked
hogs, laid out in large wooden trenchers, fancifully decorated with
freshly plucked leaves, whilst a variety of rude implements of war were
piled in confused heaps before the ranks of hideous idols. Fruits of
various kinds were likewise suspended in leafen baskets, from the tops
of poles planted uprightly, and at regular intervals, along the lower
terraces of both altars. At their base were arranged two parallel rows
of cumbersome drums, standing at least fifteen feet in height, and
formed from the hollow trunks of large trees. Their heads were covered
with shark skins, and their barrels were elaborately carved with various
quaint figures and devices. At regular intervals they were bound round
by a species of sinnate of various colours, and strips of native cloth
flattened upon them here and there. Behind these instruments were built
slight platforms, upon which stood a number of young men who, beating
violently with the palms of their hands upon the drum-heads, produced
those outrageous sounds which had awakened me in the morning. Every few
minutes these musical performers hopped down from their elevation into
the crowd below, and their places were immediately supplied by fresh
recruits. Thus an incessant din was kept up that might have startled
Pandemonium.
Precisely in the middle of the quadrangle were placed perpendicularly
in the ground, a hundred or more slender, fresh-cut poles, stripped of
their bark, and decorated at the end with a floating pennon of white
tappa; the whole being fenced about with a little picket of canes. For
what purpose these angular ornaments were intended I in vain endeavoured
to discover.
Another most striking feature of the performance was exhibited by a
score of old men, who sat cross-legged in the little pulpits, which
encircled the trunks of the immense trees growing in the middle of the
enclosure. These venerable gentlemen, who I presume were the priests,
kept up an uninterrupted monotonous chant, which was partly drowned in
the roar of drums. In the right hand they held a finely woven grass fan,
with a heavy black wooden handle curiously chased: these fans they kept
in continual motion.
But no attention whatever seemed to be paid to the drummers or to the
old priests; the individuals who composed the vast crowd present being
entirely taken up in chanting and laughing with one another, smoking,
drinking ‘arva’, and eating. For all the observation it attracted,
or the good it achieved, the whole savage orchestra might with great
advantage to its own members and the company in general, have ceased the
prodigious uproar they were making.
- title
- Chunk 4