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- moored to one of the Moluccas. Yet Dives himself, he too lives like a
Czar in an ice palace made of frozen sighs, and being a president of a
temperance society, he only drinks the tepid tears of orphans.
But no more of this blubbering now, we are going a-whaling, and there
is plenty of that yet to come. Let us scrape the ice from our frosted
feet, and see what sort of a place this “Spouter” may be.
CHAPTER 3. The Spouter-Inn.
Entering that gable-ended Spouter-Inn, you found yourself in a wide,
low, straggling entry with old-fashioned wainscots, reminding one of
the bulwarks of some condemned old craft. On one side hung a very large
oilpainting so thoroughly besmoked, and every way defaced, that in the
unequal crosslights by which you viewed it, it was only by diligent
study and a series of systematic visits to it, and careful inquiry of
the neighbors, that you could any way arrive at an understanding of its
purpose. Such unaccountable masses of shades and shadows, that at first
you almost thought some ambitious young artist, in the time of the New
England hags, had endeavored to delineate chaos bewitched. But by dint
of much and earnest contemplation, and oft repeated ponderings, and
especially by throwing open the little window towards the back of the
entry, you at last come to the conclusion that such an idea, however
wild, might not be altogether unwarranted.
But what most puzzled and confounded you was a long, limber,
portentous, black mass of something hovering in the centre of the
picture over three blue, dim, perpendicular lines floating in a
nameless yeast. A boggy, soggy, squitchy picture truly, enough to drive
a nervous man distracted. Yet was there a sort of indefinite,
half-attained, unimaginable sublimity about it that fairly froze you to
it, till you involuntarily took an oath with yourself to find out what
that marvellous painting meant. Ever and anon a bright, but, alas,
deceptive idea would dart you through.—It’s the Black Sea in a midnight
gale.—It’s the unnatural combat of the four primal elements.—It’s a
blasted heath.—It’s a Hyperborean winter scene.—It’s the breaking-up of
the icebound stream of Time. But at last all these fancies yielded to
that one portentous something in the picture’s midst. _That_ once found
out, and all the rest were plain. But stop; does it not bear a faint
resemblance to a gigantic fish? even the great leviathan himself?
In fact, the artist’s design seemed this: a final theory of my own,
partly based upon the aggregated opinions of many aged persons with
whom I conversed upon the subject. The picture represents a Cape-Horner
in a great hurricane; the half-foundered ship weltering there with its
three dismantled masts alone visible; and an exasperated whale,
purposing to spring clean over the craft, is in the enormous act of
impaling himself upon the three mast-heads.
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