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VENUS AND ADONIS 6r survive— respectively in the Bodleian Library, the British Sixth Museum, and the Earl of Macclesfield^s library. editio.v, An alteration was made in the type of the title-page after '^°'' a few copies were struck off: for the comma which originally followed the word <•vulgus ' in the middle of the first line of the Latin quotation, there was substituted a colon, which figures in two of the three extant copies of the edition. The copy in the British Museum alone has the comma on the title- page. There is no other distinction in the type of the three copies.' The British Museum copy of the 1602 edition, with No. ix. the unique <■ comma ' title-page, measures 5--//' x 31". The ^'"^''^ ownership can be traced some distance back. It was copy'T^oz. bought by the commentator, George Steevens, at the sale of Dr. Chauncey's library on April ij-, 1790, for eight shillings. James Bindley paid £1 us. 6d. for it at the Steevens sale on May 21, 1800. The price leapt up at Bindley's sale in 18 19 to ^42, when it was bought by Mr. Strettel of Canonbury. At StrettePs sale, in 1841, the bidding only reached £26 yj-. od. and no sale was then effected, but George Daniel soon afterwards acquired it for ^40 %s. 6d. Daniel sold the copy to the British Museum at a slightly higher price. There are manuscript notes, dealing with the successive changes of ownership, in the hands of Steevens (who knew of no other copy), Bindley, and Daniel. On Sig. Bi (line 303) is the following good manuscript note in a seventeenth-century hand: — <To bid the wind a bace. Base or Bace— a sport used among country people called Prison-Base in which some persue to take others ' The Cambridge editors vaguely credit each of the three copies with typographical peculiarities, and treat each as representative of a different edition, thus attributing to Leake three editions in i(>02. A comparison of the three does not support this allegation. A careful collation of the Earl o'i Macclesfield's copy, which was kindly lent to the British Museum by the Countess of Macclesfield for the purpose, with the British Museum copy, shows that the two are at all points identical in type, save for the punctuation on the title-page. The paper of the Bodleian copy is perhaps of a quality slightly inferior to that of the Museum and Macclesfield copies. 1
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