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32 VENUS AND ADONIS Marlowe's genius exercised a powerful fascination over Shake- speare's youth, and in all probability under such influence Adonis' disdain of the goddess of beauty became the central motive of his first poem. There was much material at Shakespeare's hand which may well have encouraged him to develop Marlowe's hint. Another popular tale which was wholly concerned with a youth's disdain of a beautiful woman's embraces was accessible to him, and it was easy to graft its main features on the legend of Venus and Adonis. Ovid before he approached the tale of Venus and Adonis in his Metamorphoses had elaborated the less conventional topic in the tale of The story of Salmacis and Hermaphroditus. That story of Ovid had Saimacisand attracted attention in Elizabethan England. It had been dims. rendered independently into loose pedestrian English rhyme by one Thomas Peend. His Pleasant Fable of Hermaphroditus and Salmacis. . . . With a morall in English verse was published in a small octavo in is<^f^ But there was little in Peend's doggerel to serve Shakespeare's purpose. There was far more in Golding's literary rendering of Ovid's tale. But Shakespeare clearly supplemented that source by another. It is of great importance to bear in mind that some four years before the publication of Venus and Adonis^ an Eliza- bethan poet, Thomas Lodge, presented with much exuberant and original detail a different hero's disdain of a different Lodge's heroine's advances. In 15-89 appeared Lodge's narrativeG Uncus and Scilla, 1589. * A freer version followed at a later date, and has been very doubtfully assigned to Francis Beaumont, the dramatist. This was first published anony- mously under the title of Salmacis and Hermaphroditus in idoz. It is in heroic verse and is of much literary interest. The rare copy in the Bodleian Library was reprinted in the Shakespeare Society Fapers (184.7), ^°^* ^^^* PP* 94--i^<^» In Cranley's A7na7tda (1^55), Shakespeare's Venus and Adoiiis is mentioned < with Salmacis and her Hermaphrodite ' among a number of * songs of love and sonnets exquisite*.
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