file

02_venus_and_adonis_1905_facsimile_page_0055.jpg

01KG8B0T68TB2E7TEJACQSP03X

Properties

cid
bafkreihanqzzi7xav2qu366aic2tgsdipl3by4fznmvl5nnokb2c27tijy
content_type
image/jpeg
filename
02_venus_and_adonis_1905_facsimile_page_0055.jpg
height
2400
key
pdf-page-1769806521480-csqu6b8ov7p
page_number
55
pdf_type
born_digital
size
617490
text
VENUS AND ADONIS ' ^^ for < Within' (23 f); <aud' for <and' (301); « bnt ' for <but> {l9l)'-, *Ho' for <He'(y45-); <nor'for <noc'(<Jiy); < the th' impartiall ' for « th' impartiall ' (748) ; <- had ' for < was ' (i 0^4) j 'crop's' for 'crops ' (i 1 75"). None of these are likely to mislead. But misprints are not the main defects of the volume. A more Discrepan- serious flaw lies in the careless discrepancies which characterize ""..^^ the spelling of common words. Very little time must have been '^^ "^ spent on the revision of proof-sheets of a book in which some of the commonest words were spelt indifferently two or three ways in contiguous stanzas. Elizabethan spelling was impatient of strict law, but well-printed books observed within their limits a definite system in the treatment of ordinary words. In the first issue of Fenus and Jdonis chaos reigns supreme. In the same stanzas we have both <kis' (207) and 'kisse' (209), and both 'sun' (193) and 'sunne' (198), while elsewhere (75-0) we meet with a third variant in ' sonne.' Similar irregularities are ' blood ' (fffjand'bloud' (1122); 'bore' (1003) and 'boare' (1112); < desier '(3d) and 'desire ' (747); 'eyes '(120) and ' eies ' (i of o); ' flood '(824) and ' floud ' (in ' floud-gates ', f 3 ) j 'flower' (8 ) and ' floure ' (i Of f)5 'inchaunt' (145-) and 'inchanting' (247) j 'lion ' (1093) and ' lyon ' (884); ' litle '(132) and 'little' (i 1 7^)'^ 'pray ' (i.e. 'prey', jS) and 'praie' (1097); 'rain' (3(^0) and 'raine' (71)^ 'sayes' (8fi) and 'saies' (1173); 'skie' (48 f) and 'skye' (8 ir); ' spite ' (i73)and 'spight' (i 1 3 3); ' in spite of ' (i 73) and 'despight of (7fi)^ 'spirit' (one syllable, 882) and 'sprite' (i8r); 'sproong' (ii(J8) and 'sprong' (1171). The occasional use of contractions and of the symbol signs of con- '&' for. ^ and ' is probably an endeavour on a clumsy printer's part to prevent the over-running of the line in which they are present. But it is just possible that they reproduce a charac- teristic of the author's manuscripts. In Shakespeare's extant signatures, some of the letters are represented by the abbrevia- tracrions.
text_extracted_at
2026-01-30T20:55:21.480Z
text_extracted_by
pdf-processor
text_has_content
true
text_source
born_digital
uploaded
true
width
1632

Relationships